Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Saturday, February 20, 2021

A Thorny Journey Blooms in Story

As we begin to forget more than we know, it becomes clearer that what holds us  to our own meaning are the stories we choose for our narration. -Adele Houston

Every act of giving has a story Many stories actually. #MyGivingStory is an annual Giving Tuesday social media storytelling contest. Funded by the Bill & Melinda Gates Foundation, it began in 2015.  The foundational idea is that sharing ‘stories of giving’ can foster a public conversation and inspire others to give. However, it is a contest which, by its very nature, awakens a competitive spirit. This multifaceted enter-to-win ‘contest’ incorporates financial incentives equivalent to small grants and a click-vote tournament for the most-popular storyteller.

In 2019, I submitted an essay entitled A Thorny Journey Blooms in Story which joined 2,663 other moving stories composed from a personal lens.


There are two ways to win social media contests; have a secret go-viral ingredient in your submission or have a plan, network and ambassadors. Committing to a competitive fundraising campaign—a surreal quest for only a few dollars to move a dream forward—is daunting. The constant trolling for eyeballs, goodwill and daily votes from grateful connections is akin to being a minnow that keeps swimming in the gut of a whale even though it has already been eaten alive.

Before embarking on this competitive adventure, I had not fully considered the math. I did not conceive of the hours per day promoting would swallow up. It was not a one size fit all endeavor. One email solicitation by any school to the parents of students and alumni might grab more click-votes in a day than most service agencies could accumulate, in total, from weeks of promotional effort. But thinking about ROI, return on investment, was, while being the point, not really the point. It was ‘the odds’ of winning local hearts and minds that I needed to overcome.

Each participant had a promotional link with a vote-button that connected directly to their story. It could be used in numerous ways: In any type of Social Media posts, emails, or direct messages. My plan was to direct message the link to nearly 2,000 friends of WPAA-TV in the Facebook Messenger App. This approach quickly hit a ‘firewall’. After sending several identical messages to friends, the Messenger app messaged me: “You have been temporarily blocked from performing this action.” Thus, crashing my ill-conceived promotion plan and my campaigning adrenaline rush.

On the day the #MyGivingStory winners were published, I realize that I had only read about ten percent of the submissions. During the campaign, the #MyGivingStory web page randomly displayed entries. The site provided no clues about chances to win, not even a count of the participants—One in 2,000+!  

Seeing this statistic filled me with curiosity. The voice in my head declared: This could be an interesting self-report qualitative study dataset. In my presumed-random reading sample, I noticed patterns. There were several similarities and popular themes like rescuing dogs, helping adorable children and, to my surprise, tigers. Or for the researcher in me, comparable populations, being served in different communities is an expected finding Possible proof that programs like Feeding America are essential to amplifying the work of local food pantries.

Detailed likenesses about storytellers also emerged. Many volunteers began purposeful commitments upon retirement from working for their daily bread. Several programs started with school projects Kudos for High School Community Service requirements. While others were created to be ‘I made myself a job’ nonprofits. A pet peeve of mine Maybe there are a few too many. Regardless, they all employed the ‘cute factor’. Their projects boosted by an appealing image accompanying the text.

My ‘Giving Story’, unlike most, was not affiliated with one organization or cause. The story I offered up for consideration was not about what I do. It was about how my story scraps quilted together. My special ingredient: a multi-decade smorgasbord of service.

At the close of the promotional period, twenty entries with the highest popular vote were forwarded to the official judges. Prizes were awarded to sixteen storied-places, many rescued dogs, and A Future Superhero And Friends, a national nonprofit featuring Spiderman visits to hospitalized children Not Disney Endorsed.

The Work, and I, Are Alive But Not Well In My Community.

It was complicated. I already knew that professing the value of a free speech organization in a marginally diverse a.k.a. mostly white suburb was no match against front-line services in a head-to-head fundraising drive. I did not know how much, if at all, my unknown story, now entwined with the destiny of the organization, could be an asset.

I wanted an opportunity to check the pulse of my community for the work I was striving to do. I saw #MyGivingStory and the dangle of a $10,000 prize as that opportunity.

Check the pulse That it did.

I mustered the courage and words to put pen to page. I wanted to pull off the scab on my life-style secret. Both light and silence had been my dance partners for a long time. In most moments, surviving, as it is for so many unnamed people, had to be its own reward. I still carry an abundance of stories that only a few can know.

As I pulled off the scabs on my secrets, I would often hesitate, reconsidering the public-story decision. Sometime tears would roll down my face as the story took shape. There would be more tears. Once told, stories take on a life of their own. And social media has been rightly described as an Escher-like ‘hellscape’ by journalists and educators.

On these perilous platforms—comments quickly revealed how little was understood about the mission of community television, the rules we try to abide by and the policies that support citizen media makers. At first, cruelty only commingled with gratitude. That is, before displacing it entirely. Instead of offering a vote to help secure funding, the misinformed were poised and ready to pounce with accusations. “I told you, it is all about her!” The math for winning hearts and minds often fails to factor in resistance.

My #MyGivingStory Essay Revisited

When I was ten, I certainly knew that being sixty-five was old. Today, not so much. Sharing my Giving Story as I celebrate eligibility for Medicare seems like the right choice. I may be at the halfway mark. Or, perhaps, near the end.

What can I add to the conversation by joining other ‘good-from-giving’ stories? I volunteer. I reconstructed my timeline and calculated that I performed forty-thousand two-hundred hours of service. I recalculated again, trying to grasp exactly what that meant. Had I really volunteered the near-equivalent of a ‘twenty year’ job in addition to my student-wife-employee-parent life? Now, I am contemplating the possibility of twenty consecutive years with one organization. The question is: Are there insights from a lifestyle of service that forgoes a paycheck?

When people hear that I do not get paid, they assume I am married to a wealthy man. If counting grandchildren is a sign of prosperity—that would be so. Being his life jacket is one of my stories—we survived together—just a different kind of love. We live in a home too big for two, which has sheltered dozens of people in need of transitional housing. One transitioned to heaven.

My life trajectory Name changes and five hometowns has led me to abandon a lot So much. I avoid invitations to coffee or other occasions that might bring forth, in conversation, things I experienced under another name. Conversation excavates memories.

Old resumes, with those other names, help me recall the affiliations, events and people for my Giving Story. Details emerge as memories reveal themselves. Details I cannot share. But I can close my eyes and sit with what is not forgotten, the smiles. Each one, deeply personal and unique in its discovery, somehow shared with me; sometimes with hugs or happy tears.

The smiles of children showing their mom a new-to-them unwrapped toy from under the holiday tree in the prison visitor room, or children happily hugging plush rabbits after the Easter community dinners, or families waving good-bye as the volunteer relocation team drives away from them in their new home. Seniors smiling at the prospect of a home-share companion or help with fuel assistance. The older couple that rescued toys, him in his woodworking shop, her sewing new clothes for restored dolls. Dozens of people pleased with the treasures they accumulated to be gifted to strangers or excited about their bargain shopping results. A runaway accepting a left-over all American hot dog at the Yale Student International Fair. The faces of gratitude flood back amongst the stories I took part in. What is left-over are no longer scraps, rather a comfortable quilt sewn with one through line: A lifestyle of consistent activism leads to change, one person at a time.

When I saw the #MyGivingStory solicitation, I remembered a moment in 1979 that changed my life forever. The moment I made a secret pact with myself. For one day a week, for a lifetime, I would try to do something like my VISTA work: advocacy and action for a better world. This would approximate a ten year work-week-equivalency by the time I retired.

I had accepted a job at a bank upon completion of my uncommon two-year enlistment in VISTA and was feeling conflicted. In my exit interview, my Dept. of Corrections Supervisor described my work with parole, police, inmates and ex-offenders, (Some, just people no longer in jail) as ‘light under a basket”. He said, “I hope you will embrace your light. If you continue to do as you do, you will be an inspiration for others.” I told him he was seeing a reflection and thanked him for his dedication to justice.

Many of my stories of service—shared stories of struggle or tragedy experienced with others­—remain untold to avoid a public-feeling of shame or stigma. I have been the shelter, the shoulder, the coach, the mother, the underwriter, the whisper, the connection, the opportunity-maker, the report, the pocket change, the ride, the teammate, and the facilitator of dreams come true Like a poem shared on stage—fleeting ripples.

As a girl born in the 1950s into a large family of laborers, I found myself taking risks with life. I deeply valued the laborer’s sense of hands-on accomplishment and marveled at the gifts of kismet. But I often used the wrong tools and yielded much to serendipity. My steady diet of embracing service—civic engagement as a lifestyle—began with extending my enlistment in VISTA (Volunteers in Service to America) to two-years in 1978. In 2011, I retired from an ample—somewhat accidental—corporate paycheck to what my dad called my “life’s job”. In retirement, I live on a poverty-level stipend which I pay myself from short-circuited savings. I run a community media center and do a bit of social service on the side.

There is an abundance of past stories in so many venues: justice, housing, environment, humanities, and democracy. For nineteen years, the last three months of each year revolved around the collection of new and like new toys and personal hygiene products for Somers and Niantic prison chaplain ‘holiday’ programs. This same time span was also consumed with arranging transport for family visitors to prisons Never on Public Transit routes and housing policy, reform, and hands-on action. Homelessness, fair zoning practices, supply and credit, there are so many broken systems under the housing umbrella.

For three weekends a month, my first ecumenical volunteer experience lasted over three years. It was immersive and sweaty. Sometimes, my heart and brain went numb. But I made an impact.

Legions of families were temporarily placed in motels by the state My toddler son played with an untold number of children, often a dozen at a time. In the New Haven area, most families were in two adjoining rooms at the motels by the West Rock Tunnel just off the Merritt Parkway.

Gentleman, Self-professed and Real

I was familiar with this location, differently. In another life, in these same motels, I was paid cash by the man-hour A Gladstone Gal. In 1999, the Fairfield County Weekly carries a version of the article I had hoped to write about Gabriel Gladstone in 1978. Gladstone’s incredulous deflection, referring to exploitation of the witless as the true crime, angers me. He humiliated the ladies with this derogatory word often. “Witless”. I would flashback again when the Cusano murder is in the headlines with the subtitle “prostitution ringleader testifies during probable cause hearing.”

Mr. Fred Chambers, a grandfather with two grandchildren, a boy eight and a girl ten, shared one room. They had lost their home in a fire. Sheltered for nine months—they were at the motel the longest. Fred gave up their place in the relocation rotation numerous times. With the wisdom of a social worker who lived close to the edge and was not unfamiliar with the fall, he would tell organizers: “Prioritize the families with parents. The stress of being here can break more than is necessary.”

Most motel-sheltered families were relocated to the Hill, Fair Haven or Newhallville, once a postcard perfect thriving industrial America neighborhood. Fred’s family would live in two-family tenement, walking distance from the Winchester Repeating Arms factory until moving into my home in Beaver Hill. I managed to get Section 8 approval for my Norton Street home—my first house—when I moved my growing family to rural Northford. Our foster care Social Workers strongly encouraged our move out of the city.

I never aspired to be a landlord, but I did like making dreams come true. When Fred’s grandchildren visited Norton St., they would always leave saying: “Thank-you for letting us visit you at your nice house.” Knowing they no longer needed to leave made us all happier.

It was a modest house, the first one after the Beaver Hill Section brick pillars, where the esplanade began. It was the neighborhood that made the difference. Fred would live out his last years here, smoking cigarettes on my porch I never successfully helped anyone kick this habit. He retained the instincts of a neighborhood watch member but was no longer living with 911 on speed dial. A proud gramps, he waited for his kids to walk home from Hill House High School, after spending their afternoons at the popular basketball courts. On the Sabbath, Fred would tip his hat and nod to his Young Israel Synagogue neighbors as they walked by the house. My foster daughter Jenn called it “parade day.”

Fred was a gentleman and a teacher. He helped me recognize bias in my good intentions. I would pay for his funeral: hoping there was enough ‘ripple’ overflow from our friendship for both of his grandchildren. They were both over age twelve and were reunited with their mom Struggling with Crack recovery and loss of her father.

When I was President: TV, the Public Square, and a Hot Mic Moment

In my eight years as President of the League of Women Voters of New Haven (LWVNH), the issues and projects ran the gambit: recycling policy (bottle bill), reproductive rights, ethics, clean water, international peace keeping and, of course, Voting Rights and voter registration.

C-SPAN reached out to the President of LWVNH That’s me about providing the ‘grassroots’ aspects of televising their first grassroots candidate debates This was big. I learned from this experience, as I would over and over again, that people, especially women, run toward, but mostly away, from cameras Nothing in the middle. I am still partial to being behind the camera.

Determining roles, debate rules and candidate questions—What is your position on the party lever in voting booths?—was a collaborative effort between the League and several News organizations, most notable a relatively new and short-lived monthly news publication: New Haven County Women. This was certainly not the first debate organized by LWVNH but it would be the first ‘televised’ debate. Television changed the dynamic for selection of the guest panelists and moderators. It would be a few more years before Storer Cable would contract with the first Connecticut nonprofit to run a Community TV station, Citizens Television, making televised debates common. I would be an incorporator of that nonprofit.

I could not be at the back, middle and front of the house As is my nature to attempt but somehow I was in all those spaces. The ‘house’, in this instance was actually a church on the ‘public square’ with the perfect legacy for the occasion. Ensuring the civil rights movement would be televised, and at the request of Rev. Martin Luther King, Jr., the United Church of Christ, host of the debates, was instrumental in court action that ensured airwaves are public property.


My first television appearance was in these 1984 CT General Assembly C-SPAN debates. My front of the house duties were to welcome everyone, lay out the floor management for questions from the public and introduce the moderators. A huge satellite dish was parked on Temple Street between United and Center Church
on the New Haven Green. Initially reported as an hour delay due to technical difficulties, the uplink from United Church ultimately failed. However, this might have been good fortune. While awaiting good news about the technology dilemma our moderator blurted on a hot mic that she “felt like an Oreo-middle”.

Serving the People: Activism and Politics

Incumbent Representative William(Bill) Dyson, a math teacher and larger-than-life solution oriented ‘realist’, won reelection This time and the next and next. We shared many interests that were not on the LWV’s agenda, such as opposing the death penalty, fighting for prison reform and youth job training. Pat(ricia)Dillon, a first-time winner of the other featured election contest, went on to serve thirty-six years. Our shared interests were domestic violence shelters and expanding health care rights. She was cofounder of the New Haven Battered Women's Shelter. Both Pat and Bill served on the powerful Appropriations Committee. Bill was chairman for over a decade, holding influence over the budget, and debate on issues, that budget action can dissipate. As a policy wonk, he did the math. My hero worship of Bill He has no idea made for challenging dinner conversation when I was dating House Speaker Irv Stolberg, one of the ‘liberales’. Both Gab and Irv would, in a similar manner, casually categorize people as "witless".

On two occasions, I was invited to speak to women in a nearby suburb. In one of these meetings, I met Wallingford RepresentativeMary Mushinsky. Mary was first elected in 1980 to the Connecticut State House of Representatives on an environmental activism, consumer advocacy and improved energy policies platform. I have had the honor and privilege of voting for Mary since making Wallingford my fifth hometown. She is Connecticut’s longest serving state representative And may hold this record indefinitely.

How Many, How LongThe Game of Life

Some lives are prescriptive. You simply follow the dots. But some dots, like some lives, find themselves in unconventional places. I believe the dots of my life best resemble those found on Dominoes. And I aspire to be a Guinness World Record Domino line competitor: carefully setting up diverse blocks with a connected design of purposeful navigation. In the game of life, each Domino represents a new skill, a forever mate, a job, a friend, a new perspective, a place to live, a new language, a movie made, a fear overcome, a new passion discovered, a network created, a hashtag connection, a song that gets a whole room singing. And the cascading connection between them creates an image that only reveals itself in due time.

I endeavor to make community TV ‘more than TV’. And so, our amplification of Free Speech with performance speech and #SocialActionArt becomes a gallery with a ‘community impact award’ and a public-art mural. While my focus is now citizen media and local TV, the range of impact remains broad. Our core TV service connects viewers to wide-ranging programs. Our open doors have inspired some to make life decisions.

Today, I run an organization whose mission is tethered to transparency, accountability, speaking truth and telling stories. I still avoid the spotlight. When WPAA-TV leadership decided to pursue social media engagement, I encouraged the adoption of a persona for the station’s outreach. The outreach identity was borrowed from an historic American Revolution muster call on The Parade Ground in Wallingford. According to the Cradle of American Liberty presenter at the Wallingford Historical Society, the town crier called men to a special meeting where they took the ‘Oath of Freeman’ proclaiming allegiance to America and a democratic future. Freeman, a mascot, a metaphor, a small blue bird in the wrong part of the world Our world is full of enigma is short for Freeman Penny Quinn, 1st Free Speech Ambassador. The blue penguin is a visceral metaphor for civic engagement by whoever walks in the door at WPAA-TV.

Unexpected encounters such as court-mandated community service or a get-well video message have changed lives. A family in mourning said the happiest six weeks of a retired radio announcer’s life were his last, those spent with us making his show A Face for Radio. Several differently abled young adults proved themselves in ways they could not imagine. A few veterans renewed their service with us. A local photographer has a permanent exhibit and a photo book deployed to help those facing food and housing insecurity. It made the News. The related StreetshotZ video won a national community impact award. The muralist literally explored new heights and became known as among the best in the world. ARCY would be recognized among the ‘40 under 40’ in Connecticut with worldwide accolades for multi-story murals in 2021. A guest on a show about midlife decided to embody a transition to ‘memoir artist.’ A recovering alcoholic stabilized to become an exceptional math tutor; an actor performed on stage—sober for the first time—with a WPAA-TV hosted theater company that gave him a new start.

New stories are experienced and shared each day. Any topic is fair game, from Creation Station, a show featuring a four-year-old, to teens interviewing folks from all walks of life about first jobs. Subject matters range from the evolution of women in the trades to how to make hummus, a pumpkin martini, or even raise bees. Among the challenging topics are guns, terror, identity, taking a knee, recovery, stigma, faith, and commentary on local issues.

In a variety of capacities, resource gatekeeper, trainer, studio technician, set designer, or sounding board for ideas about to bloom, I influenced the creation of over 5,000 shows in my initial five years as WPAA-TV Executive Director. I curated and processed nearly 30,000 more. My ADHD life is a good match for Community TV.

My conviction is that everyone needs to be digitally literate. I strongly urge others to watch how media can be reconfigured and remind advocates that gavel-to-gavel is great for archives but not so great for connecting people for action. Editing is a ‘power' tool and community media users need to get better acquainted with it.

My practice is to actively listen, boldly suggest and demonstrate. I see failure as an opportunity to do better. I learned this by observing people that I believe make a difference Against the odds. I agree with Representative Dyson who I observed walking the talk and adjusting in stride because he listened. In a New York Times interview he said, “When we lock in to ideology and when we cease to hear, all we are doing is making the difficult more difficult…We are not resolving the issues. We’re not listening to the other side.”

Finding Me

I have no need to look for purposeful and story-full opportunities because they find their way to me, daily. Time after time I see someone realize that they are award-winning, or published, or exhibited or connected to their own story. To be a survivor of your own story is a genuine gift.


My blog Glimpses Through Stained Glass, adelehouston.blogspot.com, where I write under the pseudonym Adele Houston, is the space I give my personal voice room for public expression. The WPAA-TV blog,is for Citizen Maven commentary on citizen media topics and the operations of WPAA-TV. In a post there, I shared: I retired from a paycheck to what my dad considered my “life’s job”. I recall a conversation he started with a poke, “You’ve finally decided what you want to be when you grow up,” to which I replied, “Yes, a thorn.” Perhaps I will stay sharp for a few more decades. But any day could be my last, so I choose to embrace my civic life—fully. PS: My little station won Best
in the USA for its size in 2019.

Revisiting is the writing process. It is also how we find the bloom in our stories.

From prompted first lines into a bloom.

Daffodil

Inhaling, the past into the present

for a horizon to inhabit

cultivating our speech flowers

daffodills & buttercups

within the stone walls of poetry's cottages

blooming in seasons, imprinted

We call them poems

Erect, on white plains

It is the gardener’s memories, wilting

As the cliché of age

takes root

 

15 hours later after a complex day ---

 

Daffodil Bulb

inhale your past into the present

resilience blooms

from cold spells

daffodils stalwart among the earliest of buttercups

cultivars awaken

anew and conspicuous

speech flowers

blanket the horizon

near neglected stone walls of poetry's cottages

distilled nectar tickles where sap healed wounds

The gardener’s memories

Adroop

As the cliché of age

takes root

in a new season

 

A few days later ---

 

Daffodil Bulb

 

Inhale

your past into the present.

Let cultivars awaken.

Let resilience bloom

from cold spells.

Daffodils

stalwart, among the earliest of buttercups

anew and conspicuous

speech flowers

blanket the horizon

near

neglected stone walls of poetry's cottages.

Distilled

nectar tickles where sap healed wounds.

 

A gardener’s memory

Adroop

As the cliché of age

Takes root

In a new season

  

Thursday, September 8, 2011

The Right Tone 9|11 10 years later

There is lots of Special Media coverage about the 10th anniversary of the Sept. 11 terrorist attacks. The themes range from “Where are they now? to “What do you remember of that day?” with a few ‘in-depth” reports on health & well-being of survivors. In commercial television the question of ‘not to appear to be exploiting the events for financial gain’ is the primary challenge. But for Community Access Channels the question to be asked is “What does the public believe about the events of 9/11?” With the bountiful programming on the truths of devastation; there is little mass media attention given to ideas that raise questions about the ‘truths’ about the devastations root cause.
The heartfelt sadness over the loss that day and each day in subsequent acts of war are where; as the President often says “Americans share a common ground.” But the principals of democracy are also where we are to share a common ground and in this regard – the freedom to question or inform on the root cause of this need for national grief is vital to our nationhood.
Public Television will commemorate the 10th anniversary of 9/11 with programs honoring the heroes, victims, and enduring spirit of New Yorkers. Public Access television will represent the community and diversity of ideas to the extent content was developed or acquired by citizens of Wallingford.
Sometimes it is challenging to sift out what is myth, magic, conspiracy or transparency in the information available today. Someone who is willing to die for the right to think and say what one wishes – could feel compromised if that means enabling someone who passionately holds facts and concerns about conspiracy to distribute such views. Similar challenges arise with Hate Speech – is there a line to be crossed or drawn? But the American idea of Free Speech assumes that it is not ‘allowing people to promote ideas & dialogue about concerns’ that weaken the bonds of society – not the speech itself.
WPAA-TV is dedicating the date 9/11 to 9/11 related content from 9AM to Midnight. The content includes information about Holy Joes Café, Yellow Ribbons, poems, etching, songs, bells, bagpipes, services, photographs as well as a Movie: Severe-Visibility written and directed by Paul Cross. This movie handles, in a profoundly compassionate way, the tensions felt by patriotic Americans that question the transparency of government. It can stand alone as a Movie – with a conspiracy theory theme. However, It is based on a true personal account –following his look at the Pentagon crash site one day after the attack.
It was also produced on a low budget and is a benchmark for excellence for local producers seeking to tell a compelling story, whatever the topic. Whether you believe the U.S. Army Major in this story is a hero or anti-hero the movie may be just what you need to see to determine what it is you can allow yourself to believe about 9|11.
The 90 Minute Movie Severe-Visibility will play Sept 11 at 9:30 AM; 6:30 PM, 9:00PM and 10:30 PM WPAA-TV. WPAA-TV is available in Wallingford on Comcast 18, statewide on ATT-99 and on the Internet at WPAA.TV

Thursday, August 11, 2011

OMG

What is most scary is the holding of values that diminishes humanity.
The story ..For Hosne Ara by Zahid Al Amin holds so much sadness.
As listeners ...what are we to do with stories that make us cry?

What I can do is assess my values and try in all I do to stay true to them -- knowing that they do not condone such inhumanity. But it does not seem to be enough.

Friday, February 18, 2011

studioW Express Show Perform 2-25


The Virtual Gates of Heaven

by David Garlock
The Anthology
by Susan Cinoman


Directed by: Ann Finateri and Randy Laist

Doors open at 8:30 PM


Featuring: Rose Lamoureux, Rob Iulo, Kevin Long, Cassie Iulo, Quint Johnson, and Virginia Skinner In the one-act dream play “Virtual Gates of Heaven,” a Bible-thumping televangelist dies and arrives at the entrance to Heaven, only to discover that none of his expectations about the after-life are to be fulfilled. Technological advances, corporate mergers, downsizing and globalization persist beyond the grave. All of his preconceptions about eternal bliss are upended, as the purgatorial processing of his bedraggled soul is undertaken by Heaven’s gatekeeper, the Archangel Gabriella.

Monday, May 3, 2010

consuming but MUCH more rewarding

So I am hearing or rediscovering more trigger phrases that deserve exploration or commitment via this space but the next few months are still designed as Overload: Transitions, renovations, new and discovery. A few technology bumps...much relearning, and interesting challenges like making TV with thumbprint digital images.

Much of what I am accomplishing is with my grown children and others like them whose mothers I have yet to meet.

If children do not believe that you care, they will not care what you say,,,,


It is great to see values grow into accomplishment; especially, in the service of others.

Saturday, November 29, 2008

Ample: Star Quality

A tear: I cried on November 4th 2008. So is my tear a good predictor of the power of the play A Civil War Christmas: An American Musical Celebration? Probably not, but my tear’s affirmation is.

On November 28, 2008 I was part of the alchemy of the first full run of this plays' world premier at the Long Wharf Theater in New Haven. Under the direction of Tina Landau, the creative team engaged me, audience member, in the historically rooted fictionalized events of December 24, 1864.

With austerely orchestrated music, subtly transformational movement navigating precarious staging, a chandelier, an anvil, the communality of coffee and symbolism of gloves; a diverse and talented cast of fourteen embodied ninety characters, both human and animal. Yes, there was a talking horse, potent musical parody, powerfully executed solos, inter-faith choruses, and elevated historical facts & figures from our Civil War History, three wise men, a lost child, a scarcity of trees and a disrobing and much, much more. Three stories were concurrently told, weaved together with seasonal and period music.

The musical celebration is the engine of this storytelling. This work is so abundant with detail, symbolism and intent that this could be under-estimated. An older white male audience member behind me repeatedly described the play as like a high school musical review. However, an older white Canadian male in the audience wondered if this dramatization of America through song could safely be shared south of the Mason-Dixon Line. And the everyman with me said that traditional songs were, for him, infused with new meaning and the parody was on par with the power of late night TV. For me, Oh Christmas Tree will be forever equated with spreading hope and gladness far and wide.

In this play, more suitable for all ages than is her reputation, Pulitzer Prize winning Paula Vogel does not leave risk taking behind. America’s ghosts and the take no prisoners’ tension illuminates some fundamental struggles at the core of our country’s formation as united states. Within the decade of its gestation, this playwright cultivates information about geography, history, music, ideologies, and most critically the under-told stories of the other. The result is an abundance of food for thought for theater-goers potentially for years to come.

  • For those students of theater, exposition of the three stories joined together by song has ample elements to explore. And if non-period references stay in the play after preview week, the pros and cons of the directorial decision on the potential for the story as a classic can certainly be debated.
  • For the fact finders, the weaving of fact and fiction provides ample room for clarification. When did Walt Whitman leave the battlefields? Do mules and horses have pheromones in common? Did Henry Wadsworth Longfellow disapprove of his son Charles fighting in the American Civil War? Were any African–American freeborn at the time of the War? Did Mary Todd Lincoln buy American? This is a random list of question, however, a formidable course-worthy list of questions could be explored.
  • For students of American History, an exploration of the story interconnections could evoke conversation about the building of a national identity, the rise of social movements, and the challenges of social justice.
  • For star gazers, the implicit setting of a star a top of the Christmas Tree with gladness of heart can be the communal coffee of any gathering of family or friends during the Holidays.

If I were asked at intermission, Do you expect to have an emotional response to this play? I would have confidently said NO. However, I was not alone in ultimately feeling a deep fundamental emotional response to both the pain and the hope. Mine was not the only tear. And even if I personally found the unveiled Christmas Tree was over the top and too current in design - I was captured by the implied topping of the tree with a star - I was held prisoner.

I am confident that this story will become annual holiday fare. If your personal economics allow, I strongly urge any student of American Theater to see this production this season.

If I could give a gift to our new President and his family, it would be tickets to this play.

Wednesday, August 6, 2008

WOW, surge and buzz


It rained very intensely a few times today. The air feels so much better now that my brief walk with Jake was truly enjoyable. I connected with a few neighbors. Rare to find others out during these walks. It made for a nice break in the day.

I did not connect with the Internet, TV or radio directly today. I did share with others, an excerpt from a note to me, I titled proud tears. The extended audience shared vicariously as I had a WOW response. WOW has such different meaning in the parlance of our teens. Many loose hours of their life in WOW space. But the gut reaction WOW is what I received and shared. Getting inspired sharing gives me an energy surge. Surge, now there is a term becoming well worn: military, economic and radio. Now this place WHERE NEW ARTISTS SURGE TO STARDOM was somewhat new to me, and it is currently NOT surging. But I enjoyed these pics and may send thus one along to add to the collection. I look forward to seeing the caption if they continue to be monitored. Captions suggestions are welcome in coments..

Monday, August 4, 2008

open door policy

We have had a dog door for years. The cats discovered it and have liberated themselves and appear to be living 99 lives. One rescued cat, Artimus, timid and in the basement for 6 months is now a confident hunter happy for a brief respite among his humans. My bird feeder has become a death trap. Jake, whom I have introduced already. rarely used the dog door after midnight. But he has recently joined the cats on raccoon patrol which starts about 2 am. We original discovered peppermint wrappers on the floor, then heard a scurry of all the animals running through the house knocking the dry cat food feeder off its bench. There was a replay the next evening. Papa heard the noise and attested to seeing at least 6 racoons

Tuesday, July 29, 2008

Do stories ever end and other deep thoughts

Before a personal story ends, Memoir writers decide that there is enough of a story to be told, to be penned, to commit to. Reflection and significance are ingredients. Compelling is important. And how to begin requires selection of an end for the unending. I am a derailed storyteller because I can never decide upon an ending.

When this entry was conceived, there was 100 days remaining; to elect a new president and to make ready my primary daily bread assignment for go live. These turning points are not ends. They may be middles or starts. What comes later – the benchmarking measures like the 1st 100 days of the presidency and questions about the completed project speak to the lack of true ends.

New tools allow us to manage or compile data and images and the elements of story. Sometimes pseudo stories emerge much like pseudo poems from folks exploring sentences and fragments instead of paragraphs and chapters. New tools can inevitably make endings ever more, less likely. Time capsules of experience accumulate. Folks like me get to avoid deciding on a larger scale than outside of the moment’s distraction – about endings. Volumes of reflection, commentary and noise emerge – and stories that could change, heal or inform salt and pepper the abundance.

Blogging, this hybrid commentary journal process was activated by me to reflect upon significance. Scribble. Distraction. Curiosity. Ponders. All in a format that allows me to avoid questions wrestled by true storytellers. Maybe coming of age with the TV drama view of story, most of which now tell multiple stories simultaneously and attempt to develop characters serially, neatly prescribed time, foreshadowing and tension until there is a fade to credits has contributed to my dilemma.

I began to read the World is my Home. I did not get to the end yet. It has been months since I set it down. I started it in the middle, as I recall. The 1992 biography of James A. Michener was published 5 years before his death, an end marked by his decision to remove life supports. A collection of selective reminiscences, his story for me did not end when I closed the cover of the book nor would it have if I were on the last page. It continues here. His story lives on because they were scribed. Each new reader restarts the story. And every new writer underwritten at UofTexas at Austin by Michener funds ensures his story never ends. This novelist did story his way. He followed his intellectual curiosity, informed his style from the experience of opera arias and ultimately his narration rewards the reader or listener with knowledge. His large novels are said to be absent psychological insight. I have purchased but have yet to read his sagas. A novelist that could have been a blogger is an indulgence that I can not yet invite in to my frame of reference. So I digest short stories. This week it is People I wanted to be.

Go Live is less than 100 business days away and the day job is carnivorous. Is eating my soul, flesh eating? Deep thoughts are set aside as core hours begin now.

Monday, July 14, 2008

25 cents is the price of a miracle

Charlie is my Dad. His refrigerator magnet says WORK is a 4 letter word. He retired at 55. He is now 80. He putters, finding ways to save dollars and cents. He dabbled in stocks and bonds for a decade or so, but got out before all that went totally bust. He spends his days being Judge Judy trained. Other lifelong learning is aided by History, Discovery and the Weather Channel.

This weekend we shared lentil and cactus soup which he made, followed up on some health insurance claims, and discussed the behaviors of our mutual companions, feral cats and my rescued Bull Mastiff pup, Jake. I can not play cards well enough to bet a quarter, so I watch him play one of the 100 something ways to play solitaire. We chat. He mumbles about gardening in pots. We do have some healthy basil and a few strong tomato plants. I say we because I purchase the starter plant or seeds and he tends to them. The price of motivation. He has discovered our Hot Tub. Now that I mark his calendar on the date when it has been treated, he is using it regularly. I needed to learn how to communicate this readiness for use in a manner that would not offend. It was challenging. I failed a few times but I think I am finely on track. And as to the Hot Tub, he is on track as I fail to use it. More chat or exploration about short term memory. I try to remember tidbits from the news which I think may be triggers for conversation and potential stories. I work at conversations. I had scribbled a few things down that are not handy at the time we chat. I think hard: mental gymnastics and then realize that the term I was trying to recall intellectual aerobics. The differences discreet would be fun to follow. The memory was a description Tony Snow used to describe Meeting with the Press. I then think that if I have a storied life I will be a success. Both references come from elegies of the kind the video world provides: Sunday Morning Articles. Then distractions abound within me and Dad is no longer in focus. The miracle I wish for is that a card player will appear that will risk an occasional quarter. It does not take much for Dadto put up walls. Failures with neighbors and Senior Center - mostly bad timing but he took it all too personal which make me the only community he truly has. It is a tall order being a community and it does not take much for me to be distracted. The voices in my head say you need you time now, dad has had what you can give today. Balance too is difficult.

Sometimes I sense too much in common with this hermit who lives like a troll in the back house. So much unsaid here.

Sunday, June 15, 2008

What we value enough to copy

The reminder came in recent conversation: To be a storyteller you need a story to tell. To be a blogger, not so much. So, I start.

Since vacationing, I have been sitting with a story that ignited my curiosity and ire and left me bemused. It is layered: outrage, heritage and this idea "what we value enough to copy." 

It is not new, this tale. In fact it's mangled roots began at the turn of the 20th century. It is every day, and the future, transformed by tourists, the global economy and the value of authenticity. It is the how and why culture is preserved by Native Americans —and purveyors of our nation’s history in this century. And in the world of the Internet, this story can be informed by comments of others.

I enter the story with stops at roadside booths in Arizona and Nevada. I stop to appreciate authentic Native American jewelry. My purchase power is nearly non existent. While cruising the tables,  I was thinking “How authentic.”  That puzzling idea seeped in as the experience as my vacation progresses and my joy of craft and art and flea-markets was transformed into “damn this America” again. There is no end to the disappointment.

For me, the West was an open book. The only pages written thus far were not from reliable sources. Tonto was the only Indian known to me. The embodiment of 'Indian' from childhood games modeled upon Wild West movies. I had so many pages of understanding to fill. 

The first real Native Americans I would see were entrepreneurs. Booths, gathered flea market style, abundant. The crafted-work, seen among the booths, is similar, yet distinctly different.

With questions I learned from ample answers. The stones are named after the area it was mined. Some are stones are rare as some areas are now barren.  In Bisbee, the seasonal rain wash turquoise into the roadside basins Bisbee, We must go there. I learn the bevel side is up. I learn advances in technology are embraced by the current generation because of economics. I am shown how strung, cut and polished gem stones crafted into jewelry can be done making clasps no longer essential. Most importantly, I sensed that the business of making and marketing jewelry is a family affair. And I cannot distinguish 'antique' from 'made yesterday' Indian Jewelry. I find an Antique Indian Jeweler at the Boulder City Jamboree.

My vaca get-a-way unearths a visceral delighted in the handiwork of others. But an undercurrent pulls me out of tourist mode. Ample answers come with prideful stories connecting generations by traditions. The economics and livelihood of Native Americans artisan jewelry makers is intrinsically tied to the next generation attending college. Heritage was being stamped upon them by a flat world. The tribes  needed doctors and lawyers more than Indian Chiefs.

One proud native mother expressed her outrage about fakes in a manner that I failed to yet understand, "Jewelry with .925 is not Indian". I decided to buy from her to join in the resistance that lurked now in a distant part of my brain. Her outrage inclined me to purchase from her son for mine, and from her, for me. It was not until vacation destination: the Grand Canyon, a place of mimic and replication that I came to more fully understand her exclamation.

At the Grand Canyon National Park Desert View Watchtower Gift Shop, a sign above strings of silver feathered turquoise necklaces read: Authentic non-Indian jewelry. If I was thinking journalistically rather than touristy, a picture of this sign would be gold for this story. It was a picture I failed to take. I had no idea how it spoke volumes about the latest economic based invasion of Native Americans by replica jewelry Made in China and machine stamped .925. [2]

The watchtower, a mimic of Anasazi Indian watchtowers, is infused with storytelling both figuratively and literally. The design of this national park building completed in 1933 was commissioned and awarded to Mary Colter. This five-story site to see is on a promontory overlooking the Grand Canyon at the eastern end of the south rim.

The architecture informed by archeology, ethno-history and the work of Indian mural artists, including Hopi Fred Kabotie embodies the value of copying, storytelling, and preservation of Native American Culture. Authenticity is reportedly at the core of the architect’s work. The replica design was said to be informed by turn of the century southwestern archeology. On its walls the tradition of storytelling in rock art are copies of rock art rendered by artist Fred Greer. These copies may be the only existing record of the original story painting found at an Abo, New Mexico Archaeological site.

Ms. Colter’s designs were commissioned by Santa Fe Railway and the Fred Harvey Company which launched the Native American souvenir business. This company’s transformation includes becoming the concessionaires of National Parks. The souvenir and concession business began by leveraging the traditions and skills of local artisans. This leveraging spawned tradition based Navajo, Zuni, Hopi and Pueblo family businesses that have now supported several generations of displaced Native Americans. So the ability of this outraged Indian mother to market to tourists, culturally based jewelry and crafts, is directly tied to the business that is now the target of her rage. In civilizing the southwest, trinkets were mass produced by artisans supplied sheet silver and pre-cut turquoise by the Harvey Company.

This blog, in all its hyper-parts, evolved because of I sensed a disturbing undercurrent of injustice for which I had no context. The outrage of the Indian mother could not be shaken so I needed to understand it. Give it a place to quiet in better knowing. I googled to learn more than the culture center disclosed. I determined that the act of selling imports as Souvenir is not out of character for the legacy company that ran the concessions. And that the new company continues to have unfettered access to 5 million visitors a year to profit from tourism.

I come away with a strong belief that Indian Crafted souvenirs from our National Parks should be authentic not imported reproductions. I share this story to amplify how economically based transformations without connection to values and tradition fail all of us.

1) The Grand Canyon is the most visited natural wonder on the planet. 5 million visitors a year with up to 30,000 visitors per day in peak season. 

2) Sterling Silver objects are stamped with either the word "Sterling" or ".925" which refers to 92.5% pure silver and 7.5% other metals, usually copper.

Postscript: Within this vacation there was another connection with Native American culture at the AMERIND MUSEUM, the ‘Traditions in Clay’ Exhibit. It depicted a history of pottery making. It also displayed outcomes of ‘a competition’ involving copying traditional works as a means of connecting to ones heritage

This story does not end here if you make a different purchase decision or support any legislation that may come in to play to make our collective treatment of Native Americans less egregious.